March 24th, 2026
The 2026 edition of Naija Poetry Fest, held on March 21st at Shodex Garden Hall, Ilupeju, unfolded as a rich tapestry of artistic brilliance, intellectual depth, and cultural resonance, fully embracing its evocative theme: “A Face in Different Phases.” More than a commemorative event for World Poetry Day, the festival curated an immersive experience that explored the evolving identities of poetry across performance, discourse, and visual storytelling.
Guests attending the festival were warmly invited to register .
Registration ensured access to all performances, panel discussions, and interactive sessions with literary icons.
The event was gracefully steered by anchors Esther Abdullahi and Adesewa Alagbala, whose poise and synergy set a refined tone for the proceedings. The atmosphere was immediately enlivened by an evocative opening performance from Shigo Art, a presentation that seamlessly ushered the audience into the creative spirit of the festival. This was followed by the solemn rendition of the national anthem and an opening prayer, grounding the event in both patriotism and reflection.
At the heart of the festival’s vision stood the convener, Godson Osarenren, whose commitment to fostering a thriving poetry community was evident throughout the event. The chairman’s address, delivered by Chief William Idowu Olotu, provided a thoughtful perspective on the cultural and societal relevance of literary arts in contemporary times.
After the chairman’s address, students from Tender Age School, Ebute Meta, Lagos, captivated the audience with their dynamic presentations that captured the audience’s attention, setting an inspiring tone for the day. They were followed by a compelling performance from Vicmob School, Shasha, Lagos, which further highlighted the promise and innovation of the next generation, reinforcing Naija Poetry Fest’s commitment to nurturing young voices and cultivating a new wave of creative expression.
One of the standout performances was Kemistree Bakare’s rendition of Abiku, the iconic poem by Wole Soyinka. The performance skillfully blended tradition with modern interpretation, leaving a lasting impression on attendees.
The festival’s intellectual dimension was highlighted by a keynote address from Professor Chris Anyokwu, who offered a thoughtful examination of poetry’s relevance in today’s social and cultural landscape.
Professor Chris Anyokwu said “For us in Africa, poetry is not merely the powerful overflow of a bard’s emotions and thoughts,
arrested and frozen in cold, lifeless writing. What does Scripture say? “The letter killeth, but the
Spirit giveth life.” Thus, we are gathered here on this auspicious occasion—the commemoration
of World Poetry Day—to fete the verse; to intone the paeans of poetry, and to celebrate poetry in
all its multifarious, multidimensional manifestations in Naija!
This was complemented by powerful performances, including Tolu Joseph also known as “Omo Jesu”, which added emotional depth and diversity to the program.
A particularly innovative segment was the screening of a poetic short film produced by the Naija Poetry Fest community. Exploring themes of trauma and resilience, the film demonstrated how poetry can transcend the page and stage to engage audiences through cinematic storytelling.
The event also marked the official launch of Naija Poetry Fest’s second album, POETRYMYLITIS, now available on multiple digital platforms, signaling a bold step toward amplifying contemporary poetic voices.
The panel discussion, anchored by Bassey Joshua, brought together prominent literary figures to explore the role of poetry in modern society, with the panelist;Caleb ijeoma , Anthony, Uche, kolade Olanrewaju
This thought-provoking dialogue was enhanced by a stirring performance from Babatunde Olaoye (BBT), whose artistry seamlessly combined message and expression.
During the program, Adesewa Alagbala engaged the audience in a creative exercise, offering a free tryout for attendees to craft their own one-line poems. One of the standout lines, “Even in the well, it is well,” captured the spirit of resilience and hope, reflecting the festival’s celebration of personal expression and the power of poetry to inspire.
Emerging talent was celebrated through the poetry slam competition, culminating in a remarkable victory for Treasure Obi, whose performance combined originality, energy, and emotional resonance.
Visual art played a significant role in the festival’s storytelling. Lanre Sonde’s “Balloon Boy” provided a gentle meditation on hope, fragility, and perseverance, while Ovie Mac Solomon’s “Insecurities” offered a striking exploration of vulnerability and inner turmoil. Together, these installations encouraged the audience to engage with poetry beyond words and performance, experiencing it through visual expression, reflection, and stillness.
Godson Osarenren expressed heartfelt gratitude to all participants, partners, and attendees, highlighting the collaborative spirit that made the festival a success. He reaffirmed Naija Poetry Fest’s ongoing commitment to nurturing literary creativity, fostering emerging talent, and cultivating a vibrant, engaged community where poetry continues to inspire, connect, and transform.
The 2026 edition of Naija Poetry Fest highlighted that the festival transcends mere celebration but a thriving platform where heritage, innovation, and a diversity of voices converge to inspire and resonate with all participants.
